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Spring, 2004 Classroom: CBC C122 MWF 9:30 - 10:20
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Office and Hours:
FDH 629 MWF 10:30 - 12 and by appointment
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| SYLLABUS |
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Texts:
anonymous, Beowulf
Lord Dunsany, The King of Elfland's
Daughter Neil
Gaiman, American Gods Elizabeth Haydon, Rhapsody Guy Gavriel
Kay, The Lion of Al-Rassan
Terry Pratchett, Witches Abroad J. R. R. Tolkien, The Lord of
the Rings | |
Course Philosophy:
We
will approach the texts with regard to two central critical principles. The first
is Kurt Ranke's concept of ontological archetypes -- the idea that certain genres
recur regularly because they satisfy fundamental human needs. The second is Mikhail
Bakhtin's concept of the dialogic -- the idea that certain works of literature
can be understood as continuing a dialog with previously composed texts. |
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Grading: Termpaper
#1(due 2/27) -- 15% -- a paper of approximately
5 typed pages on an appropriate topic of your choice. Your paper will be posted
temporarily on this website (with a nom de plume) in order to garner .
. . Responses #1 (due 3/13) -- 10% --
three responses of approximately 1 typed page each to any three of the termpapers. | |
Termpaper #2
(due 4/2 -- 15% -- a paper of approximately 5 typed
pages on an appropriate topic of your choice. Your paper will be posted temporarily
on this website (under a nom de plume, if you wish) in order to garner
. . . Responses #2 (due 4/16) -- 10% --
three responses of approximately 1 typed page each to any three of the termpapers. | |
Oral Presentation
(beginning 4/26) -- 20% -- in-class presentation
lasting no longer than 8 minutes (and I will cut you off), based
on . . . Final
Termpaper (due at beginning of final exam period, 8
am, Friday, May 14) -- 30% -- a paper of approximately 10 typed pages that
addresses critically some work of fantasy other than those we read in class. |
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Course Policies: Late
Work: I will accept late papers, but will deduct one letter grade unless there
are compelling extenuating circumstances. The same applies to the oral presentations. | |
Attendance: I will not take role, but regular attendance and involvement
in class are expected. | |
Submissions: All work must be typed. Hardcopy is acceptable, but electronic
submissions are encouraged. Regardless of the manner of submission, keep a
copy of everything you submit. |
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Readings:
The following schedule is approximate.
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Readings |
Secondary
Material | | 1/19 |
Holiday
-- No Class | |
| 1/21 |
introduction |
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1/23 |
introduction |
| | 1/26 |
The
King of Elfland's Daughter | The
Negotiation of Reality | | 1/28 |
The
King of Elfland's Daughter | | | 1/30 |
The
King of Elfland's Daughter | | | 2/2 |
Beowulf |
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2/4 |
Beowulf |
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| 2/6 |
Beowulf |
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| 2/9 |
Beowulf |
Tolkien,
"The Monsters and the Critics" | |
2/11 |
Rings,
vol. I | | | 2/13 |
Rings,
vol. I | |
| 2/16 |
Holiday
-- No Class | |
| 2/18 |
Rings,
vol. I | | |
2/20 |
Rings,
vol. II | |
| 2/23 |
Rings,
vol. II | |
| 2/25 |
Rings,
vol. II | |
| 2/27 |
Rings,
vol. III -- Paper One Due |
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| 3/1 |
Rings,
vol. III | |
| 3/3 |
Rings,
vol. III | | | 3/5 |
Lion |
| | 3/8 |
Lion |
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| 3/10 |
Lion |
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| 3/12 |
Lion |
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| 3/15 |
American
Gods | |
| 3/17 |
American
Gods | |
| 3/19 |
American
Gods | |
| 3/22 |
American
Gods | |
| 3/24 |
Witches
Abroad | |
| 3/26 |
Witches
Abroad | |
| 3/29 |
Witches
Abroad | |
| 3/31 |
Witches
Abroad | |
| 4/2 |
Witches
Abroad -- Paper Two Due |
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| 4/5 |
Holiday
-- No Class | |
| 4/7 |
Holiday
-- No Class | |
| 4/9 |
Holiday
-- No Class | |
| 4/12 |
Rhapsody |
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| 4/14 |
Rhapsody |
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| 4/16 |
Rhapsody |
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| 4/19 |
Rhapsody |
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| 4/21 |
Class
Presentations |
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| 4/23 |
Class
Presentations |
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| 4/26 |
Class
Presentations | |
| 4/28 |
Class
Presentations | |
| 4/30 |
Class
Presentations | |
| 5/3 |
Class
Presentations | |
| 5/5 |
Class
Presentations | |
| 5/7 |
Class
Presentations | |
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| 5/14 |
8:00 am
-- Termpapers Due | |
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